Here we pay tribute to 50 musicians who have found that same exalted state via the bass, and changed the world in the process.Black old gospel hymns youtube There Is Power In The Blood. вЂњYou slap, pull, thump, pluck, and pop, and you get yourself into this hypnotic state, if youвЂ™re lucky, beyond thought, where youвЂ™re not thinking because youвЂ™re just a conduit for this rhythm, from wherever it comes from, from God to you and this instrument, through a cord and a speaker.вЂќ вЂњYou grab it, slide around on it, and feel it with your hands,вЂќ Red Hot Chili PeppersвЂ™ Flea once said of his signature instrument.

YouвЂ™ll find obvious virtuosos here, but also musicians whose more minimal concept of their instrumentвЂ™s role elevated everything that was going on around them.

Instead itвЂ™s an inventory of the bassists who have had the most direct and visible impact on creating, to borrow KayeвЂ™s term, the very foundation of popular music - from rock to funk to country to R&B to disco to hip-hop, and beyond - during the past half-century or so. ItвЂ™s emphatically not intended as a ranking of objective skill nor does it assign any one set of criteria as a measure of greatness. The alternative era brought new heroes on the instrument, from Sonic YouthвЂ™s intuitive Kim Gordon to PrimusвЂ™ outlandish Les Claypool, and more recently, a fresh crop of bass icons - including Esperanza Spalding and the ubiquitous Thundercat - have placed the low end at the center of their musical universes.ДЄs with our 100 Greatest Drummers list, this rundown of the 50 greatest bassists of all time celebrates that entire spectrum. вЂњNobody wanted to play bass, they wanted to be up front.вЂќДЄnd yet the instrument has its own proud tradition in popular music, stretching from the mighty upright work of Jimmy Blanton in Duke EllingtonвЂ™s orchestra and bebop pioneers like Oscar Pettiford to fellow jazz geniuses like Charles Mingus and Ron Carter studio champs like Kaye and James Jamerson rock warriors like CreamвЂ™s Jack Bruce and the WhoвЂ™s John Entwistle funk masters like Bootsy and Sly and the Family StoneвЂ™s Larry Graham prog prodigies like YesвЂ™ Chris Squire and RushвЂ™s Geddy Lee fusion gods like Stanley Clarke and Jaco Pastorius and punk and postpunk masters like Weymouth and the MinutemenвЂ™s Mike Watt. вЂњIt wasnвЂ™t the number-one job,вЂќ McCartney once said, reflecting on the fateful moment when he took over the four-string after Stu Sutcliffe exited the Beatles. Guitarists, singers, and horn players tend to claim the flashiest moments in any given song, while drummers channel most of the kinetic energy, but what the bassist brings is something elemental - the part that loops endlessly in your head long after the music ends.Д«assists are often overlooked and undervalued, even within their own bands. Whatever you play puts a framework around the rest of the music.вЂќДЄ great bass line, whether itвЂ™s Paul McCartneyвЂ™s hypnotic вЂњCome TogetherвЂќ riff, Bootsy CollinsвЂ™ sly vamp from James BrownвЂ™s вЂњSex Machine,вЂќ or Tina WeymouthвЂ™s minimal throb on Talking HeadsвЂ™ вЂњPsycho Killer,вЂќ is like a mantra: It sounds like it could go on forever, and it only feels more profound the more you hear it. вЂњThe bass is the foundation,вЂќ session legend Carol Kaye once said, вЂњand with the drummer you create the beat.

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